Miami Booty Bass - DJ Edit Pack - Over 70 Tracks

Booty Music DJ Edit Pack

Mostly old-school 90s booty and bass music — packed with party records, quick hitters, intros, redrums, clean and dirty options, plus a few freestyle, fringe, and newer-era cuts to stretch the lane.

This is the fun side of the 90s

This pack lives in that loud, bass-heavy, instantly recognizable lane of 90s party music — records built around chants, dances, hooks, booty bass, Miami bass influence, and the kind of crowd participation that can change the energy of a room in seconds.

It is not meant to be a complete history of Miami bass. It is a tighter working crate built around the records and versions that make sense when you want to inject that sound into a real party set.

The obvious party records are here

The playlist includes multiple versions from 2 Live Crew, 69 Boyz, 12 Gauge, Freak Nasty, 95 South, Duice, Gucci Crew II, MC Shy D, Lathun, Uncle Luke, Tag Team, Quad City DJ's, Sir Mix-A-Lot, and others.

That means staples such as Me So Horny, Face Down Ass Up, Tootsie Roll, Dunkie Butt, Da Dip, Whoot There It Is, Dazzey Duks, Sally (That Girl), Shake It, I Wanna Rock, Whoomp! There It Is, C'mon N' Ride It, and Baby Got Back are all represented in usable DJ versions.

Multiple versions matter in this kind of crate

A lot of these songs are included in more than one treatment: clean and dirty versions, intros, quick hitters, super-short edits, redrums, remixes, segues, party breaks, and acapella-out versions.

That gives you options depending on the room. You can hit the hook and move, use a cleaner version at a mixed crowd event, stay longer with a full version, or use one of the transition-style edits to jump into or out of the sound quickly.

A few fringe records make the pack more useful

This is mostly an old-school crate, but there are a few parallel records and newer cuts mixed in on purpose. You will see things such as My Humps, Twerkulator, Thong Song, Too Much Booty, Red Bottoms, and Shake, along with freestyle crossover material like The Party Has Just Begun.

Those records let you stretch the idea without pretending they all come from the same exact era or scene. They simply work next to the core material when the party is moving in that direction.

Built for quick reactions

This kind of music often works best in bursts. The crate includes plenty of short edits, quick hitters, chorus-first versions, and familiar hooks that let you get the reaction without having to sit in every song for four or five minutes.

That makes it especially useful for open-format DJs who want to hit a 90s booty/bass run, work a few records into a throwback section, or use one of these tracks as a surprise record between hip-hop, freestyle, dance, or party classics.

Where it works

This pack makes sense for 90s parties, throwback sets, open-format clubs and bars, adult birthday parties, reunion-style events, southern and Florida-influenced party crowds, skating-rink style throwbacks, and any room that responds to bass-heavy call-and-response records.

It is also the kind of specialty crate that can save you when somebody asks for this exact lane and you do not want to start searching your entire library one song at a time.

Booty bass, party chants, quick hitters, and 90s dance-floor chaos — in one working crate.

Bottom line: if you want a compact collection of the records that define the booty/bass party lane — with enough alternate DJ versions to actually use them in a set — this pack gives you the core sound without forcing you into a giant archival collection.