Super Disco Brakes - Vol 1 thru 6 - Plus Edits

Super Disco Brakes Vol. 1–6 + Edits

The original tracks from Volumes 1 through 6, plus every useful edit, redrum, re-drum, intro, quick hitter, remix, and alternate version I could find — all together in one deep break-driven crate.

This is the complete Vol. 1–6 idea, expanded

The starting point was simple: bring the original tracks from Super Disco Brakes Volumes 1 through 6 together in one place. Then I kept going.

Wherever I could find a useful alternate version of one of those records — an edit, redrum, re-drum, intro, quick hitter, clean version, remix, or extended treatment — I added it. So this is no longer just the original source material. It is a much more useful working crate built around those records.

112 tracks and versions — originals beside DJ-friendly alternates

The migrated collection contains 112 tracks and versions. The key difference is that many of the most useful records appear more than once, giving you both the original and one or more alternate ways to play it.

You will see straight originals sitting beside edits, short edits, redrums, re-drums, quick hitters, clean versions, remixes, and intro versions. That lets you treat this as both a source-music collection and a practical DJ crate.

The records in here are foundational break and groove material

The actual collection includes titles such as James Brown – Funky Drummer, Bob James – Take Me To The Mardi Gras, Incredible Bongo Band – Apache, Manu Dibango – Soul Makossa, Cymande – Bra, Dennis Coffey – Scorpio, Gil Scott-Heron – The Bottle, The Jimmy Castor Bunch – It's Just Begun, The Magic Disco Machine – Scratchin', The Beginning Of The End – Funky Nassau, and many more.

Whether you know them from funk and soul sets, classic break culture, old-school routines, or later records that sampled and reworked them, these are grooves with real history behind them.

James Brown, Cymande, Parliament, Bill Withers, The Meters and more

The crate reaches through funk, soul, disco, jazz-funk, and classic break-driven records from artists including James Brown, Bill Withers, Curtis Mayfield, Bob James, Cymande, Dennis Coffey, Eddie Kendricks, Gil Scott-Heron, Fred Wesley & The J.B.'s, Manu Dibango, Parliament, Rufus Thomas, The Blackbyrds, The Meters, Jimmy Bo Horne, Creative Source, and others.

That range is what makes the collection fun. Some records are instantly obvious. Others are the deeper cuts that give a set character.

The edits make the originals easier to work into modern sets

A great original record is not always the easiest thing to drop into a modern DJ set. That is where the alternate versions help.

The pack includes 27 edit-tagged versions, multiple redrums and re-drums, intro versions, quick hitters, clean edits, remixes, and short edits. Those give you faster access to the useful section of a song, cleaner beat structure, or a version that blends more naturally with the rest of your set.

Useful far beyond a straight disco set

This collection makes sense for funk and disco sets, old-school hip-hop nights, breakbeat sets, B-boy material, sample-minded sets, scratch routines, open-format transitions, throwback parties, and DJs who simply like having the original records behind famous grooves.

The edit versions also make it easier to bring some of this material into a modern room without having to restructure every record yourself.

The original Vol. 1–6 records, plus all the useful edits I could find.

Bottom line: this is a deep specialty crate for DJs who appreciate the records behind the breaks and grooves — but still want alternate versions that make those classics easier to use in a real set. Originals for the history. Edits for the gig.